Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
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An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their ‘Pandrogyne’ project.
Witness the awesome power and the unimaginable destruction of explosive volcanoes, ground-buckling earthquakes, and deadly tornadoes as you head into the field with scientists who risk their lives exploring the origins and behaviors of these fearsome natural disasters.
Clarence Reid is a musician who wrote and produced romantic and spiritual songs for some of the greatest Southern soul and R&B acts of the 1960s and ’70s. He is also the gonzo performer Blowfly, Clarence’s freaky alter ego and the original X-rated rapper. “The Weird World of Blowfly” explores both sides of this hilarious and controversial artist, providing a rare, inside peek at the infamous linguist’s daily life. Now 69-years-old, with a gold-spangled superhero costume and a catalog of the world’s raunchiest tunes, Blowfly tours the world, still struggling for success and recognition after 50 years of making music. The film highlights both Clarence’s and Blowfly’s unique contributions to music history, including Top-10 R&B hits and what might be the world’s first rap song, recorded in 1965.
Chronological look at the life and career of Johnny Carson (1925-2005), with commentary from an ex-wife and more than 30 fellow comedians, friends, employees, and biographers. The biography defines why Carson was an enduring star (his cool, his timing, his genuine laugh, his breadth of knowledge) and pursues his motivations and inner self (a loner with a drinking problem, a decent Midwesterner whose mother withheld approval, a quiet person who loved to entertain). The key to understanding him, argues the biography, is his love of magic.
Louis Theroux spends time with a small and very committed subculture of ultra-nationalist Jewish settlers. He discovers a group of people who consider it their religious and political obligation to populate some of the most sensitive areas of the West Bank, especially those with a spiritual significance dating back to the Bible. Throughout his journey, Louis gets close to the people most involved with driving the extreme end of the Jewish settler movement – finding them warm, friendly, humorous, and deeply troubling.
Each year 40.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.
Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art.
Dolores Huerta bucks 1950’s gender conventions by starting the country’s first farm worker’s union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.