Adam Scarimbolo
A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.
Indifferent even to the prospects of inheriting his father’s estate, Swanson has been insulated his whole life by the bubble of privilege. He and his hipster friends live in a tepid social paradise, a.k.a. Williamsburg, where their good fortune breeds indifference and recreational cruelty. They pacify their discontent with games of mock sincerity and irreverence, as though humor itself were dying and had nothing left to do but turn on itself. Testing limits to break through their numbness, they act out like spoiled children – with ironic beards and beer bellies.
A perceptual thriller told from three points-of-view revolving around the rape of a female college student by a mentally handicapped man and his mother’s subsequent revenge after his incarceration.
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation’s abandoned towns and cities, and it’s up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent’s New Eden.
The movie takes place in the three days leading up to Lennon’s murder and is intended to be an exploration of Chapman’s psyche, without putting substantial emphasis on the murder. The title “Chapter 27” suggests a continuation of J.D. Salinger’s novel The Catcher in the Rye, which has 26 chapters, and which Chapman was carrying when he shot Lennon. Chapman was obsessed with the book, to the point
Dito Montiel, a successful author, receives a call from his long-suffering mother, asking him to return home and visit his ailing father. Dito recalls his childhood growing up in a violent neighborhood in Queens, N.Y., with friends Antonio, Giuseppe, Nerf and Mike.