Josean Bengoetxea
Eva, a judge with a great future, has spent years exclusively dedicated to her profession. She believes strongly in justice and is not willing to make concessions, wherever they come from. One day she has to instruct the murder of a stripper. And there is a witness in the case, the victim’s boyfriend, Rocco, a caring and friendly gigolo who is willing to help. In return, Eve will have to give some clues of her own identity.
When Monica finds out her daughter is about to die she takes extreme measures to save her.
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
Cesar is ‘the boss’, the one everyone hates, the one some flatter and the one nobody tells the truth; the great successful businessman is on the edge of the precipice. One night his actions crumble down, his partners betray him and his wife kicks him out of the house. Entrenched in his office, he tries relentlessly to recover his company and his life. But he will not do it alone, César will find a very special ally, Ariana, the cleaner of the night shift.
A mass suicide involving members of a cult takes place in the Canary Islands. Gabriel’s younger sister, Cordelia, who he hasn’t seen for years, was one of the cult followers. Gabriel decides to travel there and find out what happened.
Based on a Basque folk tale, ”Patxi herrementaria,” collected by priest, archaeologist and anthropologist José Migel de Barandiarán in 1903, the story is set in the Basque region in 1845, in a universe inhabited by mythological diabolic creatures, battling to capture the souls of the unwitting.
Martinón is the last inhabitant of Auzal, a village in the mountains where he lives in communion with nature. He only goes down to the valleys twice a year to trade and to buy provisions. But one day he’s convinced to take a wife, a decision intended to soften his calloused soul—but in some ways his real struggle is only just beginning.
Spanish soldiers battle indigenous tribes and their own brutal natures as they search for a legendary city built of gold.
Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.
The story of two men on different sides of a prison riot — the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
