After seeing a UFO, a man and his skeptical wife are forced to confront their relationship issues.
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The story of the relationship between painter Dora Carrington and author Lytton Strachey in a World War One England of cottages and countryside. Although platonic due to Strachey’s homosexuality, the relationship was nevertheless a deep and complicated one. When Carrington did develop a more physical relationship with soldier Ralph Partridge, Strachey was able to welcome him as a friend, although Partridge remained somewhat uneasy, not so much with Strachey’s lifestyle and sexual orientation as with the fact that he was a conscientious objector.
Based on the play of the same name by Pulitzer Prize Winner Cormac McCarthy, this searing two-character drama mixes humor and pathos while examining the relationship between strangers who are brought together by desperate circumstances. Set in a New York tenement apartment, the story focuses on two very different men – a deeply religious black ex-con who thwarts the suicide attempt of an asocial white college professor who tried to throw himself in front of an oncoming subway train, ‘The Sunset Limited.’ As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.
Two strangers, both folk musicians stranded in California, take a road trip to New York in the days after 9/11. A story about the kindness of strangers and the power of music.
Something Like Summer traces the tumultuous relationship of Ben and Tim, secret high school sweethearts who grow over the years into both adulthood enemies and complicated friends.
The Royal Scandal, the war for power and fight for money continues with the return of Saheb Biwi Aur Gangster. Aditya Pratap Singh (Jimmy Sheirgill) is crippled and is trying to recover from the physical disability and his wifes betrayal. The lover cum seductress Madhavi Devi (Mahie Gill) is now an MLA, her relationship with Aditya may have broken to shambles but her relation with alcohol is deep, dark and daunting. Indarjeet Singh, a ragged prince who has lost everything but his pride, pledges to get back his familys respect which was once destroyed by Adityas ancestors. Ranjana is a modern ambitious girl who is madly in love with Indarjeet Singh (Irrfan Khan). The story takes a new turn when Aditya falls in love with Ranjana and forces Birendra (Raj Babbar) her father, for their marriage. In this game of live chess between Saheb, Biwi and Gangster, the winner, the survivor takes it all.
In 1934, the second most lucrative business in New York City was running “the numbers”. When, Madam Queen, the powerful woman who runs the scam in Harlem, is arrested. Ellsworth “Bumpy” Johnson takes over the business and must resist against the invasion from merciless mobster Dutch Shultz.
This story from Alexander Dumas is updated to modern times and tinged with graphic nudity and eroticism. Marguerite (Daniele Gaubert) is the tart who sleeps her way up the social ladder to help Armand Duval (Nino Castelnuevo), a commoner who happens to be her boyfriend. The original story has Camille dying from tuberculosis, but in this version she suffers from an unknown ailment. She takes a variety of drugs and becomes a walking zombie (when she can stand up) in this expertly photographed sexploitation feature.
Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.
Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
