On the eve of his 25th birthday, the day he’s set to receive money from his trust fund, Rocco (Xian Lim) parties, gets drunk and loses all his money on a poker match. His dilemma: He has to produce the amount, otherwise he will lose the client he needs to defeat his father’s TV commercial production company. Meanwhile, Rocky (Kim Chiu) also needs money to pay the rent, otherwise her family will be homeless. There’s only one way for Rocco to be able to get money from his trust fund: Fulfill the conditions set by his grandmother and that is to get married. Rocky agrees to act as Rocco’s pseudo wife in exchange for a “talent fee.” They seal the deal. As they live like a married couple, Rocco and Rocky face one problem after another, forcing them with no alternative but to reconcile their differences and work with each other. Complication arises when they start to feel for each other, with their bond getting closer.
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Romeo, a hopeless romantic with emotionally-fueled impulsiveness, meets Juliet, an abused and desperate girl looking for anyway to escape. Together, destined for tragedy.
Michael Chapman was once a child TV star. But when he grew up, he couldn’t get work. So he and his brother, Ed start their own talent agency that specializes in child acts. They can’t seem to find the next big thing and they have to deal with another agency who’s not above bribery to get the kids to sign with them. One day Michael meets a girl named Angie and she’s a real spitfire. Michael thinks she could be what they are looking for. Problem is that she has a big chip on her shoulder.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
An expose of the lives and loves of Madison Avenue working girls and their higher ups.
After breaking up with her longtime boyfriend and losing her job, Jane reluctantly heads home to the small town she grew up in. But on her way there, she stops to help a stranger in need who ends up helping her believe in herself— and love— again.After breaking up with her longtime boyfriend and losing her job, Jane reluctantly heads home to the small town she grew up in. But on her way there, she stops to help a stranger in need who ends up helping her believe in herself— and love— again.
A building speculator tries in every way to get their clutches on the lands of a pastor. It loses its fortunes playing broom with him .The Commendatore gag, trafficone building Lombard, bursts like an elephant in the quiet of the shepherd Lazio Baldo which would tear the earth, to be speculation. The hostility of the provincial lazy is fought by the invitation to enjoy the hospitality of the suitor and his bourgeois home. This would not be enough, but the ribs of rustic sent you bring Mrs. Greta, wife of the muzzle, and his daughter Paola, a professional student protester. Of course women Baldo receives several favors that little by little the glimpse a new future. The magic moment, however, that transforms the Lazio is given by a game of broom, which Baldo rips at Lombard its fortunes becoming its equal partner.
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show’s response from test audiences and brings the show a step closer to getting on the air.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss – excited and intrigued, he sets out to find it.
