Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film. Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.
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When David is left by his fiancé just days before the wedding, Flula, his relentlessly upbeat best man, insists that the pair go on David’s previously planned honeymoon: a seven-day backpacking trip through the breathtaking mountains of Oregon. Their adventures are bookended with passages from William Clark’s diary describing his friendship with Meriwether Lewis and the terrain they crossed during their expedition.
NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
A man’s attempt at a romantic marriage proposal on an isolated biking trail doesn’t work out as planned. Things only get worse as the zombie apocalypse starts.
A pretentiously artistic director is hired for a new Broadway musical and changes it beyond recognition.
Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.
A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Four married friends buy a condo to share as a bachelor pad, a place to bring their mistresses, until the wives and girlfriends bust the cheating spouses.
Tells in parallel, the story of two Mexican brothers that want to go back to the United States after being deported for life, and the story of an American woman who lost her house and today believes she can get it back through Trump’s promises. Their journeys take them on road trips to meet with their past and with relatives who they believe can help them achieve their dreams. Immigration has been shown in many ways, but it has never been presented through the lives of Mexicans and Americans who live similar situations due to poverty and lack of family structure. To achieve a dream you first need to know the name of the dream.
While trying to avoid the clichés of Hollywood romantic comedies, Dylan and Jamie soon discover that adding the act of sex to their friendship does lead to complications.
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda’s and Phoebus’ little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch’s assistant.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.