Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
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Recently released from prison, Billy will do whatever it takes to save the only person who has stuck by him, his mother Grace who desperately needs a liver transplant and she is all out of legal options.
When a couple on the brink of divorce get stuck in an elevator together on Christmas Eve, both think it will be a nightmare. But surprisingly, the Christmas music brings back memories, the gifts they have just shopped for spark a flame, and a misunderstanding from a Christmas past is resolved. As the elevator crew works overtime to rescue them, they realize where they went wrong and rekindle a love that had never really died.
After a violent altercation, a runaway youth goes on the lam with a charming beach dweller offering an easy way out, but once they skip town, she quickly realizes that the harrowing past she’s running from is one she may never escape.
Barbara Hershey stars as Carla Moran, a hard-working single mother until the night she is raped in her bedroom by someone – or something – that she cannot see. Despite skeptical psychiatrists, she is repeatedly attacked in her car, in the bath, and in front of her children. Could this be a case of hysteria, a manifestation of childhood sexual trauma, or something even more horrific?
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
In March of 1945, as the War in Europe is coming to a close, fighting erupts between German and American troops at the last remaining bridgehead across the Rhine.
Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip’s “Uncle Pumblechook” (who is actually Joe’s uncle) to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love,then Pip a humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.