The quirky staff of an American magazine based in 1970s France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

Boris “Kos” Kosinski (Eryk Lubos) is a top MMA fighter. In the biggest battle of his life with his greatest rival, Denim Takaev (Mamed Khalidov), he makes a mistake that destroys his entire career. He loses everything. This failure brings him through a series of ups and downs, but it also pushes him to undertake a titanic effort to fight and win back respect and love

Autumn in New York follows the sexual exploits of Will Keane – New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction – until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will’s age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.

We are in the year 2001, a temporary ceasefire brings a much-needed break to a small war-torn village in Northern Nepal, bringing much joy among the residents. Prakash and Kiran, two young close friends, are also starting to feel the change in the air. Though they are divided by caste and social creed, they remain inseparable, and start raising a hen given to Prakash by his sister, with hopes to save money by selling her eggs. However, the hen goes missing. To find it, they embark on a journey, innocently unaware of the tyranny brought by the fragile ceasefire.

Djata is a care-free 12-year-old growing up in a brutal dictatorship shut off from the outside world. When the government imprisons his father, Peter, and Djata and his mother Hannah are labeled traitors, the boy will not rest until he sees his father again.

When a fiery young couple attempts to rekindle their relationship after three years apart, the highs and lows of their passion leave the pair wondering if nostalgia is enough to keep them together.

The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.

A young man combats the thought of suicide and finds the inner strength of a warrior.

A young man meets a 23-year-old cancer patient on the way to the park and disrupts her plan to commit suicide.

An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.

A nine-year old monk, Do-nyum, has lived most of his lonely life in a quiet mountain monastery under his elderly master. Though put under a strict regimen of Buddhist teachings, meditation and chores, the child cannot help but to think of his mother, whom he cannot remember but misses dearly and hopes to be reunited with one day. He also wishes that he could be like the other children who live nearby and play games and attend school. Do-nyum’s other companion is an older monk named Jung-sim, who is also struggling with staying on the path of enlightenment. The temple’s groundskeeper keeps reassuring Do-Nyum that his mother will come back someday. But Do-nyum, sick of waiting for a mother who may never return, agrees to be adopted by the monastery’s benefactor, a wealthy widow who visits the temple every year to mourn her late son.