Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a personality-splitting drug that he has tested on himself, changing him into an uninhibited brute who seeks violent and undignified pleasures. Jekyll quickly becomes addicted to the sordid freedom induced by the drug. He can commit the most enjoyably revolting deeds, then return to his laboratory and use an antidote to change back to his original form, so that his lofty persona remains untarnished.
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When failed comic Gus Lawton pushes his wife too far, he finds himself chasing her across the country to the abandoned farmhouse of her childhood. Given the choice between losing Deborah or living by her plan, Gus gets busy fixing up the old place. Starting with the septic tank. In a moment of desperation, he digs up the very thing he needs, a zombie who’ll do anything he wants… for now, anyway. As the zombie’s own desires threaten their plans, Gus and Deborah come together in a desperate struggle to get what they want, regardless of the cost. Zombie Dearest is a genre-bender that speaks to the “living dead” – the hunger and the horror – in all of us. It’s a wild ride that’s both smartly comic and deeply quirky.