Follows Irish champion boxer Katie Taylor as she tries to rekindle her career after a year of setbacks.
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From the Academy-Award nominated creators of the Broadway show STOMP and the award-winning film Wild Ocean, The Last Reef is an uplifting, inspirational large-format and 3D cinema experience capturing one of nature’s more vibrant and diverse wonderlands. Exotic coral reefs, vibrant sea walls in the sub-arctic pulsating with anemones and crustaceans: these biodiversity hot spots are as vital to our lives as the rainforests. Shot on location in Palau, Vancouver Island, French Polynesia, Mexico, and The Bahamas using groundbreaking 3D cinematography, The Last Reef takes us on a global journey to explore the connection of our cities on land with the ocean’s complex, parallel world of the coral reefs beneath the sea.
The Anatomy of a Great Deception is a quasi-political, spiritual documentary following businessman-turned-filmmaker, David Hooper as he deals with the emotions of his own investigation into the events of 9/11.
Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.
Beginning with Rome’s fall in the fifth century, tis History Channel presentation sheds light on the Dark Ages, covering the continent-wide chaos, including raids by Vikings Vandals, and Visigoths, bubonic plague, famine, civil unrest and more. The program takes viewers from the darkest of times to the dawn of a new beginning as the turmoil besieging Europe gives rise to the Crusades, the Enlightenment, and the Renaissance.
An insight into the life of the world’s most famous male dancer, Rudolf Nureyev.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.
Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.
More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
