Four socialites unexpectedly clash: heiress Brooke Carter runs into gambler Johnny Spanish at the race track while playboy Michael O. Pritchard nearly runs into stage star Kitty O’Kelly with his car. Backstage at Kitty’s show, it turns out she and Brooke are old friends who attended public school together. The foursome do the town, accompanied by Brooke’s companion Elizabeth, who throws herself at Michael’s butler and chauffeur Rodney James.

A down and out journey into a land of raunchy and bizarre sexual encounters. Jackson is a struggling artist with a dead end job and a terrible love life. Lately his loneliness is getting the best of him and he finds himself desiring something more out life. But in the city of Los Angeles, the good girls are few and far between. And what do you do when the prospect of some quick lovin’ loses it’s appeal?

Rising from present India in the conflicting era of shining modernity and deep-rooted archaic traditions in the era of big city versus small towns, comes a love story sealed with an impossible fate. The story of the bold Bablu and the bratty Dimpy. Will Bablu and Dimpys love blossom under the terror of a brutal clan and the violent landscape it is set against. Heropanti is the story of today’s youth, and the coming of age of its conflicting protagonists.

Scandal erupts over a famous bullfighter’s affair with a left-wing actress.

AFTER THE WEDDING follows newlywed Diego Diaz (Nick Puga) as he heads down to Miami Beach for a few weeks to finish his latest novel, but when he becomes emotionally intimate with a sexy bartender, he and his wife (Edy Ganem) are left to examine the true state of their young marriage.

Bad People is a dark comedy feature film that begs us to laugh at the absurdity that is all around us: crack smoking politicians, prostitutes turned reality stars, religious charlatans, sex obsessed online dating, elitist parents, infidelity, and political correctness. Told through the lens of several short stories, the film examines the hysterical dark side that permeates our society today.

An isolated guy with cerebral palsy is railroaded into helping an unassertive comedienne, and finds love and acceptance through stand up comedy.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

New York City woman inherits a moonshine farm in the South.

As the world moves on from the war and technological advances bring changes to her life, Violet still hopes to see her lost commanding officer again.

Since meeting online, Charlotte and Brandon have fudged, re-imagined, and outright lied about their pasts in an attempt to be each other’s perfect match. Now that they’ve said their “I do’s” they are about to get a funny, hellish, and eye-opening look at just who they’ve vowed to spend the rest of their lives with. Will familiarity breed contempt… or bliss?