A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
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Taylor is forced to hide the young daughter of a Colombian woman in witness protection who will be testifying against a powerful drug cartel in Federal Court, as ruthless sicarios aim to hunt them down.
Fired from his job, a former executive turns to impregnating wealthy lesbians for profit.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
When depressed and withdrawn Catharine meets a secretive boy online, she begins to come out of her shell. But is he a suitor or a stalker, a friend or foe? The mystery of his existence fuels obsession, denial and deceit, sending her to the point of no return. In the midst of cliques, boyfriends, and digital drama, Catharine is trying to make sense of a world of uncertain identities. The film was inspired by the writer-director’s own experience parenting his teenage daughter in the world of cyberspace. @urFRENZ was made to serve as a talking point for the subject matter of bullying and cyberbullying, the number one hot button issue between parents and teens today.
Like Air is a feature length documentary that follows three high school competitive dancers on their journey to a nationals championship competition. With every step towards the trophy, they discover their personal identity through dance and the life it breathes into their soul.
Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.
Two young gentlemen living in 1890s England use the same pseudonym (“Ernest”) on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities…
Bolt is the star of the biggest show in Hollywood. The only problem is, he thinks it’s real. After he’s accidentally shipped to New York City and separated from Penny, his beloved co-star and owner, Bolt must harness all his “super powers” to find a way home.
