This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”

A married couple suspect that the ‘smart apartments’ in their high tech residence are being used by its owner for sinister reasons.

Monica Wyatt is a totally ’80s teenager on the brink of a bright future when her dreams are destroyed by a car wreck that leaves her in a coma for 19 years. After miraculously awakening at age 38, Monica finds her once-perfect life in shambles and an unrecognizable world around her. As she struggles to fit into a world of Starbucks and cell phones, she attempts to win back the love of her life. In the process, she experiences a true wake-up call.

Tired of being treated poorly by men, four frustrated women devise a game of social conquest to reclaim their destinies. But each is soon challenged to face herself and her relationships while also battling a jealous psycho and sexist boss.

Single 36-year-old travel nurse, Jodie, thinks maybe something is wrong with her. Harassed by her sisters and flooded with images of others on social media, Jodie obsesses over whether she will meet someone, if all men are garbage, and if her ‘uterus will rot out’ before she has children. While at a Gun’s N’ Roses concert, she meets Dustin and is hopeful she has finally met her potential match — until he ghosts on her the next day. Overwhelmed, Jodie’s four gay best friends are by her side as she confronts hard truths and figures out her next move. Pig Hag looks at how society’s expectations for women may influence their barometer for success and the choices they make.

During the pandemic, a burned-out teacher on the verge of a breakdown overhears his students making fun of him in a Zoom class and vows revenge.

When his brother-in-law runs afoul of a drug lord, family man Chris Farraday turns to a skill he abandoned long ago – smuggling – to repay the debt. But the job goes wrong, and Farraday finds himself wanted by cops, crooks and killers alike.

Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she’ll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she’d never imagined.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.

David Randall may be a schizophrenic, but he’s no murderer — at least that’s what he claims. Having served time for two killings he swears not to have committed, Randall is now home, medicated and attempting to start a new life. But that proves difficult when the masked figure he sighted at the scene of the murders is back; a friend is in danger; and everyone seems to believe that he’s the real threat in this chiller from Jack Thomas Smith.

A teenager’s quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.