An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.
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A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
In 1997, the Belgian public was in shock when judge Koen A. was convicted for the S&M relationship with his wife. Although their life was destroyed by the verdict, Koen and his wife Magda remain together today. The film is a story about dark sexuality and true love, told from the lover’s unique point of view
Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
During a shootout in a saloon, Sheriff Hunt injures a suspicious stranger. One of the villagers takes care of him in prison. One day they both disappear – only the spear of a cannibal tribe is found. Hunt and a few of his men go in search of the prisoner and his nurse.
A multi-generational anthology about the horrors of war in various foxholes that possibly include that of the Civil War, World War I/II, and Vietnam.
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man’s sword to his family in Nottingham. There, he assumes Robert’s identity; romances his widow, Marion; and draws the ire of the town’s sheriff and King John’s henchman, Godfrey.
Schroeder returns with this cross-generational relationship drama set against Europe’s electronic music scene.
John Gotti rises to the top of the New York underworld to become the boss of the Gambino crime family. His life takes a tumultuous turn as he faces tragedy, multiple trials and a prison sentence.
