A writer from New York moves to Los Angeles with his fiancé to adapt a children’s book for a Hollywood producer. A series of meetings begin between the author of the book, the director, and other actors, each having their own take on the direction of the script. The writer and his financier are constantly fighting as the work becomes more and more tiring and gruesome. Fearing medication has made him mediocre, the writer is faced with a choice between having a happy life and being a successful writer in Hollywood.
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A diverse group of friends gather for the festive season in a remote lodge but soon plans go awry. One of the friends goes missing and the truth behind why the lodge was booked for the holiday is disclosed. Christmas quickly turns to chaos and a bloody nightmare ensues.
Wang Yu plays a vagabond who earn a living on people’s superstitions, but also puts things right. (A Shaw Brothers production)
Ronnie is a young white male, struggling with the pressures of life. He’s unemployed, rejected from the military for being mentally unstable, and lives at home with his ailing and nagging mother. Ronnie finds an outlet for his frustration online. The alt-right community gives him a place to belong and absolves his personal responsibility.
In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.
The passengers on the Night Bus have many different stories — some are lovers, some have dark secrets, some are looking for a fight, others are just trying to get through the night.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?