Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

Sara was placed in care aged 11. Now 28 she hears her mother has died. She goes to the funeral and realises her brother and father don’t recognise her so keeps quiet about her identity. When watching her father’s house, she finds out she has two younger sisters, and realises that what’s going on connects to her childhood…

A shy bank clerk orders a Russian mail order bride, and finds his life turned upside down.

A samurai answers a village’s request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.

The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.

Indian scout Tom Jeffords (James Stewart) is sent out to stem the war between the Whites and Apaches in the late 1870s. He learns (through an uncomfortably close encounter) that the Indians kill only to protect themselves, or out of retaliation for white atrocities.

Russia. Our, days, general lawlessness, corruption and inaction of the authorities. But suddenly, in a small town start getting killed. The victims – drug traffickers, corrupt officials bribed the judge … Someone has clearly decided to purge the city from evil. Who are these people’s avengers?

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can’t identify the young woman.

Rivers dry up not only because of lack of rainfall but also because of suffocation of smaller streams, chaotic urbanization, deforestation, and unplanned public policy. A civilization too can suffer from choking and draughts, in forms of dogmas, ignorance, and superstition.

Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan.

Three years after the death of Frank’s wife a mysterious woman appears. As their attraction grows Frank struggles with reality and his loss. He tries to start over not knowing his choices could lead him to his own downfall.

A troubled, young history professor tries to escape his past by taking a job at a new university, where he struggles with an entrenched and equally-troubled department chair, rampant student apathy, and new relationships that complicate and challenge his world-view.