A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.
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An adaptation of Milena Agus’ eponymous novel set after WWII, “Mal de Pierres” (“Mal di Pietre”) spans 20 years, following the destiny of a passionate, free-spirited woman who is in a loveless marriage and falls for another man.
Once upon a time, after many years without contact, Diane Hunter received a phone call from her long-lost friend Angela. Angela’s daughter, Annie (aka “Little Red”), mysteriously disappeared, but the police never found her body. Now, Angela’s life is being plagued by inexplicable events. While Diane and Angela begin to shed light on the mystery, a masked maniac known as “The Wolf” is on the prowl, leaving a trail of blood and carnage in his wake. The further Diane and Angela delve into madness, the deeper the doubt burrows into their minds: is Annie alive? This is the most gory, and twisted Slasher you have ever seen: this is not a fairy-tale.
When his mother commits suicide, Tom Redding discovers he has a long lost sister that cannot move or talk. Together they travel to their dead mother’s isolated home, where Tom hopes to document her illness, only to be driven to the brink of madness by a supernatural evil.
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he’s handed off to his mother’s therapist, Dr. Finch, and spends his adolescent years as a member of Finch’s bizarre extended family.
Potential soulmates always seem to be dating someone when their paths cross.
A small-town Sheriff discovers there is something wrong with the sleepy town of Golden Torch, and he quickly realizes he may not get out alive.
A father afflicted by photophobia searches for his daughter lost in the world of cybersex chat.
The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
Vladimir is reaching the end of his life and decides to leave his wealth to his only daughter, cutting out his wife and her son from his will.
In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.