During a stopover in Germany in the middle of a carefree road trip through Europe, two American girls find themselves alone at night when their car breaks down in the woods. Searching for help at a nearby villa, they are wooed into the clutches of a deranged retired surgeon who explains his mad scientific vision to his captives’ utter horror. They are to be the subjects of his sick lifetime fantasy: to be the first to connect people, one to the next, and in doing so bring to life “the human centipede.”
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The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
Ray Pelletier just wants to spend a pleasant and relaxing weekend ice fishing with his family. Alas, Ray’s plans are ruined by the unwanted presence of the obnoxious big city father and son duo of Steve Cote and Stevie Jr. However, the two squabbling families are forced to set aside their differences and work together after a vicious monster awakens from the cold waters of the remote frozen lake area they are staying at.
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John Henry, a down on his luck salesman, is given a chance at success by an alien visitor, trading technology for help in human experimentation. Blinded by his ambition, the salesman open a doorway in which the alien can develop the means to control the human race. It’s left to Detective Mike Washburn, who is investigating the missing persons reports, to get to the bottom of the disappearances.
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Hacked footage reveals mysterious events surrounding the abduction of four teenagers.
