Two survivors struggle through a dangerous journey in a world shrouded with evil and terror.

The story revolves around five people who are enjoying their life in Kochi. Indrajith Sukumaran plays a creative ad director; Remya Nambeesan as Veena plays a trained dancer; Nivin Pauly plays a waiter at a cafe; Prathap Pothen plays a psychologist; and Lena Abhilash plays the head of a corporation.

Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.

Female students, including Hikari Tomonaga, from a high school cheerdance club follow strict instructions from their teacher Kaoruko Saotome. They compete at the USA Cheerdance Championship.

Ben-Hur is a 1959 epic film directed by William Wyler, the third film version of Civil War vet Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ. It premiered at Loew’s State Theatre in New York City on November 18, 1959. The movie’s reputation as a classic is primarily based on two spectacular action sequences: the great chariot race and a Roman naval battle, along with lavish production values and strong performances. The plot of Ben Hur revolves around a Jewish prince who is betrayed and sent into slavery by a Roman friend and how he regains his freedom and comes back for revenge. However, instead he finds redemption in Christ, the theme is ultimately about being saved in the Christian sense. The film went on to win a record of eleven Academy Awards, including Best Picture and Best Actor (Charlton Heston as Ben Hur). This record-setting Oscars sweep has since been equaled by Titanic in 1998 and The Lord of the Rings: The Return of the King in 2004, but never broken.

After having visions of a member of her support group who killed herself, a woman who also suffers with chronic pain seeks out the widower of the suicide.

1970’s pop culture icons Danny Bonaduce and Barry Williams face off in the hunt for the legendary mountain creature.

15 years ago, Daiichi Yachiyo Maru, a cargo ship, was crashed into a large iceberg in northern the Pacific Ocean, and sank. The captain and a crew were died. Now, in Nishitama, a ship designer of Yatsushiro Shipbuilder, which belonged to Yatsushiro Financial Combine, was suffered from a sudden hart attack while he was driving, and died in a traffic accident. Six months has passed since then. Conan, Ran, and Kogoro are enjoying their trip in the Aphrodite. The Aphrodite is a luxury liner, and it is sailing for the Pacific Ocean as its maiden voyage. However, there is a suspicious person, and finally a murder occurs. It is the beginning of a horrible plot occurred in the ocean where there is no place to escape from.

The NCAA is the face for college athletics, and it generates billions of dollars every year for the top universities in the United States. This is the first documentary that challenges the NCAA from the perspective of former student-athletes. Director Bob DeMars, a former USC football player, interviewed former student-athletes to find the problems and potential solutions regarding players’ rights.

A lonely, down-on-her-luck waitress meets a handsome, quirky jewelry store clerk and thinks that maybe, finally, she’s met Mr. Right. The more Molly (Alexis Bledel) gets to know Gus (Zachary Levi), the more she’s intrigued by him. But she’s also mystified. Gus is absent-minded, preoccupied. Is he hiding something? The short answer is: yes. He’s reluctant to share with her that since suffering a brain aneurysm, he’s totally lost his short-term memory. Every day is a brand new day, his life starts anew. Every day he sees Molly he struggles to remember who she is and what she represents. Every day, he has to fall in love with her all over again.

P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.

For all the shame we hide For all the blame assigned It’s time we have our say On how we are defined