Nutcracker is a fresh twist on a cautionary tale. Shelly is a 17-year old, African-American girl on the cusp of womanhood. The realities of wanting to be desired, wanting to be validated, and wanting to fit in pull her down to a place of desperation. Her vivid imagination often finds her in awkward situations, but over the course of the story it stretches to the place where she’s willing to put herself in not just a vulnerable, but downright life-threatening situation.

The story takes place after the TV drama series Ossan’s Love (2018). It’s been a year since Haruta and Maki pledged their undying love. Haruta has now come back and receives a warm welcome from familiar faces, his boss Musashi Kurosawa and other colleagues. Justice Yamada, a recruit who has been recently assigned to this branch, welcomes him too. One day, completely out of the blue, the headquarter-based project team “Genius 7” shows up at the Second Sales Branch. Project leader Jin Mamiana orders the Sales team to support them in their big project. Maki, who had been transferred and works now at the head office, is among the project team members with Mamiana. Haruta and Maki grow apart, and Haruta teams up with Justice. Then Kurosawa gets involved in an accident and loses his memory, but the loss of his memory is selective and he has forgotten only Haruta. However, when Kurosawa sees Haruta, he falls in love again.. Hilarious and heartwarming, the final battle of Ossan’s Love begins.

We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.

A family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.

There are many ways to overcome the losses and drop-outs of childhood. Three boys reinvent the concept of family to face the traumas of their lives.

Cowgirls ‘n Angels Dakota’s Summer tells the story of Dakota Rose, a cowgirl and competitive trick rider who finds out at the age of seventeen that she was adopted. She secretly sets out to discover the truth about her adoption and meet her birth parents while visiting her grandfather, rodeo legend Austin Rose. At Austin’s ranch on break from the Sweethearts of the Rodeo trick riding team, Dakota discovers that family is not defined by blood, but rather personal commitment and by the love they share. Finally at peace, Dakota trains with Austin in order to prepare to rejoin the Sweethearts for their final competition against the talented Lone Star trick riding team and become the champion trick rider she was destined to be.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.

A young drug-addled writer approaching the bottom of his descent submits to two months of agonizing detox at a treatment center in Minnesota.

Seven years after the death of his wife, company executive Aoyama is invited to sit in on auditions for an actress. Leafing through the resumés in advance, his eye is caught by Yamazaki Asami, a striking young woman with ballet training.

Verona and Burt have moved to Colorado to be close to Burt’s parents but, with Veronica expecting their first child, Burt’s parents decide to move to Belgium, now leaving them in a place they hate and without a support structure in place. They set off on a whirlwind tour of of disparate locations where they have friends or relatives, sampling not only different cities and climates but also different families. Along the way they realize that the journey is less about discovering where they want to live and more about figuring out what type of parents they want to be.