Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.
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After terminally ill Bussan finally passes away he misses hanging out with his still living friends and decides to return to Kisarazu. In his ghost form however only his most trusted friends can see him, and his meddling in the lives of the living results in the return of Ozzy and a long dead team of American baseball players who drowned off the shores of Kisarazu. It’s down to Bussan and the Cats to save the day and restore the town to order, but can Bussan bring himself to say bye-bye once and for all?
Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory. The absurdity in which Javier finds himself might be a way out of the pain, and his redemption to love and all endings. But first he needs to confront his demons and to take one last chance into the pleasures of the flesh.
The film’s story begins when Arata inadvertently touches “Hermes Apocrypha,” Lilith’s Grimoire. Suddenly, he is enveloped by a bright white light, and a girl appears before him. She calls herself Lilim, and treats both Arata and Lilith as her parents. At the same time she appears, something changes in the world. The forbidden Eternal Library awakens. In the Library is sealed the ultimate culmination of Alchemy, the White Demon Lord. The White Demon Lord plots to eliminate Arata and the Trinity Seven to usurp the position of Demon Lord. Bristling with untold power, the White Demon Lord attacks Arata, and triggers a desperate crisis where Arata and the Trinity Seven must save the world in this last battle.
Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, Dogma 95 and other artist groups, and the musings of individual artists, architects, dancers and filmmakers, editing and reassembling them as a collage of artists’ manifestos, ultimately questioning the role of the artist in society today. Performing these ‘new manifestos’ while inhabiting thirteen different personas – among them a school teacher, a puppeteer, a newsreader, a factory worker and a homeless man – Cate Blanchett imbues new dramatic life into these famous words in unexpected contexts. A feature film version of this art installation will premiere at the 2017 Sundance Film Festival.
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London’s biggest bank vaults.
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