A man forced to confront his past when he and his girlfriend end up entangled in a web of lies.
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Something’s killing people in the woods, and it isn’t bears. A team of reluctant warriors faces off against the most vicious animal on the planet….a giant Wererooster. Look out! Birds of a Feather…. kill together!
Tales From The Lodge is a fresh take on the portmanteau horror-comedy genre. An isolated lodge somewhere in England. Five old university pals, now nudging 40, gather for a weekend to scatter the ashes of their friend, Jonesy, who drowned himself in the lake three years earlier. They settle in for a fun evening, entertaining each other with stories of murders, ghosts, zombies and possessions, but as day turns to night, the gang become aware of another horror story unfolding around them – And this one is real.
In her fourth stand-up special, Whitney Cummings returns to her hometown of Washington, D.C., and riffs on modern feminism, technology and more.
After Eric and Chloe’s breaking up, something happens in their lifes.
Do directors have any sense? Are they employing teenagers to do the background sounds? This is NOT a Walt Disney Animation where one needs sounds because no one actually speaks in the movie! I felt like I was watching Fantasia! I can hardly make out the voices of the actors due to the racket of the sound track which really should be faint and in the background! This feature is pretty bad, but it’s not the only movie which has overbearing background “music”! When one watches movies made in the 50s, 60s, 70s even 80s at least we can hear the spoken words! Now if not for the “realistic” traffic noises in a street/outdoor scene where there is indistinguishable dialogue, the majority of the presentation is drowned in excessively loud music! OK, I am not a young kid with perfect hearing, but I am not deaf! As for the movie, very predictable.
France asleep in the nineteenth century, governed by steam and Napoleon VI, where scientists vanish mysteriously, a girl, Avril, goes in search of her missing scientist parents.
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
Centered around one couple (Stan and Kelly Stevenson) who seem to be more committed to growing apart rather than growing together. Their friends are caught in the middle of divorce conversations during one of the most joyous seasons of the year. Rather working things out, Kelly’s one wish for Christmas is for Jesus to bless her with a new husband.
In the town of Cutter, most people keep to themselves. But when John comes home to find his girlfriend missing, he sneaks into his neighbor’s house, finding his girlfriend and several other kidnapped people tied up in the basement. When the neighbor come home, John is forced to get out of the house alive and lead the group to safety.
A timid, insecure popular author with an overly-attentive professor husband decide to write an erotic novel. With encouragement from her sister and a bi-sexual friend, she goes to France with the intent of doing research at an inn where a diary she had been using documented erotic encounters. Instead she finds the inn is now a cloister for singing nuns. However, a young, divorced sound engineer is also there taping the nuns. While attracted, she mostly succumbs only to new fantasies until he follows her home to New York.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
After surviving a shark attack a young woman is plagued by nightmares of being stalked in the dark sea by a ravenous predator, and hallucinations of visits from her sister and boyfriend, both who were killed in the attack.