Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.
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Ex-special operative MacGruber (Forte) is called back into action to take down his archenemy, Dieter Von Cunth (Kilmer), who’s in possession of a nuclear warhead and bent on destroying Washington, DC.
In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.
A woman at a crossroads traveling to Cannes along with her successful film producer husband, finds herself on a two-day road trip with his business associate. What follows is a carefree journey replete with diversions involving picturesque sites, fine food and wine, humor, wisdom and romance – reawakening Anne’s senses and a new lust for life.
After a legendary mountain man’s tragic death in the remote Alaskan wilderness ( J. J. Johnson ), two of his four sons set off to find their father’s gold treasure as set forth by the provisions left in his will . It soon turns into an epic journey through the remote back country of Alaska. They run into a band of notorious cut-throat river rats, determined to claim the gold for themselves. Filmed on location in the wilds of Alaska, it’s got Hollywood all over it ! Outdoors, hunting, bad guys, moving to the wilderness, and GOLD ! With a bit of greed mixed in. It’s a great storyline.
New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he’d seen it all, until a genius named Simon engages McClane, his new “partner” — and his beloved city — in a deadly game that demands their concentration.
The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
