DI Cadi John and DC Owen Vaughan try to solve a case involving Mali Pryce, a young woman whose body was discovered in a stream in the woods.
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When escapees from a mysterious cult start disappearing, the survivors are driven to find each other for protection. Damaged by their dark pasts and hunted by the cult leaders who followed them to Los Angeles, they’ll do anything to be free.
With narrative driven exclusively by the detectives themselves, each episode ventures deep into the mind of a homicide detective as they describe in vivid detail the one case forever ingrained in their memory.
The story begins when a group of six friends embark on a yacht trip from Brisbane to Indonesia, a chance for adventure and to enjoy a holiday at the same time. The group is just a day’s sail from their destination when something appears on the horizon. Another boat. The group come to the aid of a broken-down asylum seekers’ boat, leading to a tragic series of events that return to haunt them four years later.
Cagney & Lacey is an American television series that originally aired on the CBS television network for seven seasons from October 8, 1981 to May 16, 1988. A police procedural, the show stars Tyne Daly and Sharon Gless as New York City police detectives who lead very different lives: Christine Cagney was a single, career-minded woman, while Mary Beth Lacey was a married working mother. The series was set in a fictionalized version of Manhattan’s 14th Precinct.
The two main actresses combined to win the Emmy for Best Lead Actress in a Drama six consecutive years, a winning streak unmatched in any major category by a show.
“The Night Shift” focuses on the men and women who work the overnight shift at San Antonio Memorial Hospital. They are an irreverent and special breed, particularly adrenaline junkie T.C. Callahan. After three grueling tours of duty in Afghanistan, T.C. is about to learn that his toughest battles will be fought right here at home. He and his team of late-night docs, including best friend Topher and protégé Drew, know how to let off steam with the casual prank or two, but when lives are at stake, they are all business. Unfortunately, the night shift is now under new senior management and boss Michael Ragosa, who has to balance the real-world pressures of cutting costs while battling the stigma that he is more interested in saving money than helping people.
Jack Irish is a man getting his life back together again. A former criminal lawyer whose world imploded, he now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and sometime lover – the complete man really. An expert in finding those who don’t want to be found – dead or alive, Jack helps out his mates while avoiding the past. That is until the past finds him.
Two junior investigators come together against a new breed of criminal, the uber rich and powerful corporations, individuals and governments who hide behind legitimate facades.
The Wire is an American television crime drama series set and produced in and around Baltimore, Maryland. Each season of The Wire introduces a different facet of the city of Baltimore. In chronological order they are: the illegal drug trade, the seaport system, the city government and bureaucracy, the school system, and the print news media.
Despite only receiving average ratings and never winning major television awards, The Wire has been described by many critics and fans as one of the greatest TV dramas of all time. The show is recognized for its realistic portrayal of urban life, its literary ambitions, and its uncommonly deep exploration of sociopolitical themes.
The Mod Squad was the enormously successful groundbreaking “hippie” undercover cop show that ran on ABC from September 24, 1968, until August 23, 1973. It starred Michael Cole as Pete Cochren, Peggy Lipton as Julie Barnes, Clarence Williams III as Linc Hayes, and Tige Andrews as Captain Adam Greer. The executive producers of the series were Aaron Spelling and Danny Thomas.
The iconic counter-culture police series earned six Emmy nominations, four Golden Globe nominations plus one win for Peggy Lipton, one Directors Guild of America award, and four Logies. In 1997 the episode “Mother of Sorrow” was ranked #95 on TV Guide’s 100 Greatest Episodes of All Time.
