A character drama based on the 2001 Elmore Leonard short story “Fire in the Hole.” Leonard’s tale centers around U.S. Marshal Raylan Givens of Kentucky, a quiet but strong-willed official of the law. The tale covers his high-stakes job, as well as his strained relationships with his ex-wife and father.
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Set in a gripping vision of the near future, THE COMMONS is an absorbing character-driven relationship drama and a story about motherhood as the ultimate act of faith in humanity.
Hell on Wheels tells the epic story of post-Civil War America, focusing on Cullen Bohannon, a Confederate soldier who sets out to exact revenge on the Union soldiers who killed his wife. His journey takes him west to Hell on Wheels, a dangerous, raucous, lawless melting pot of a town that travels with and services the construction of the first transcontinental railroad, an engineering feat unprecedented for its time.
When the Police Service of Northern Ireland are unable to close a case after 28 days, Detective Superintendent Stella Gibson of the Metropolitan Police Service is called in to review the case. Under her new leadership, the local detectives must track down and stop a serial killer who is terrorising the city of Belfast.
The unscrupulous world of the Greenleaf family and their sprawling Memphis megachurch, where scandalous secrets and lies are as numerous as the faithful. Born of the church, the Greenleaf family love and care for each other, but beneath the surface lies a den of iniquity—greed, adultery, sibling rivalry and conflicting values—that threatens to tear apart the very core of their faith that holds them together.
Dickensian intertwines the realm of fictional characters in Charles Dickens’ novels—including Scrooge, Fagin and Miss Havisham—in half-hour episodes, as their lives intertwine in 19th century London. The Old Curiosity Shop sits next door to The Three Cripples Pub, while Fagin’s Den is hidden down a murky alley off a bustling Victorian street.
In early 90s Boston, an African-American District Attorney comes in from Brooklyn advocating change and forms an unlikely alliance with a corrupt yet venerated FBI veteran invested in maintaining the status quo. Together they take on a family of armored car robbers from Charlestown in a case that grows to encompass and eventually upend Boston’s city-wide criminal justice system.
A war veteran plagued by guilt over his final mission teams up with his best friend’s widow to infiltrate a dangerous Copenhagen biker gang.
A wealthy London housewife is forced to return to her hometown in Australia, where she’s forced to confront her past and the reasons that caused her to leave years ago.
Los Angeles. 1983. A storm is coming and its name is crack. Snowfall is a one-hour drama set against the infancy of the crack cocaine epidemic and its ultimate radical impact on the culture as we know it.
The Village is a BBC TV series written by Peter Moffat. The drama is set in a Derbyshire village in the 20th century. The first series of what Moffat hopes will become a 42-hour TV drama was broadcast in spring 2013 and covered the years 1914 to 1920. A second series has been confirmed for 2014 which will continue the story into the 1920s. Future series would be set in the Second World War, post-war Austerity Britain, and so on.
The Village tells the story of life in a Derbyshire village through the eyes of a central character, Bert Middleton. Bert has been portrayed as a boy by Bill Jones, as a teen by Alfie Stewart, and as an old man by David Ryall. John Simm plays Bert’s father John Middleton, an alcoholic Peak District farmer, and Maxine Peake plays Bert’s mother, Grace. Peake is a preferred actress of the writer, who has called her “the best actress of her generation”, and she has featured in two previous Moffat series, Criminal Justice and Silk.
Writer Peter Moffat has spoken of wanting to create ‘a British Heimat’, alluding to Edgar Reitz’s epic German saga Heimat, which followed one extended family in a region of Rhineland from 1919 to 1982. Unlike Downton Abbey, this version of history is a working-class history—”domestics are expected to face the walls when the master walks by”.
