A dark psychological crime drama starring Idris Elba as Luther, a man struggling with his own terrible demons, who might be as dangerous as the depraved murderers he hunts.
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Declan Dunn has a fascination with mystical phenomena that began when he was buried under an avalanche and given up for dead. After he miraculously survived, he committed his life to investigating miracles and the absolute proof of their existence. Now a professor of Anthropology at a leading Oregon university, Declan has the training, support staff and the opportunity to study the uncanny, inexplicable phenomena people call “miracles”. With the help of Peggy, a skeptical psychiatrist, and Miranda, a research student, the three embark on a quest to explain what science cannot.
Poltergeist: The Legacy is a Canadian horror television series which ran from 1996 to 1999. The series tells the story of the members of a secret society known as the Legacy and their efforts to protect humankind from occult dangers. Despite bearing the Poltergeist name, there is no real connection between the show and the Poltergeist trilogy aside from the title.
Poltergeist: The Legacy debuted on Showtime, and all first-run episodes of the first three seasons premiered on that network, though they were later syndicated. After the third season, Showtime cancelled the show, and the rights were purchased by Sci Fi Channel which continued the series for another season. This same pattern was followed by Stargate SG-1, which also debuted on Showtime, was also sold into syndication, and was rescued from cancellation by Sci Fi.
The fourth season of Poltergeist: The Legacy featured an episode starring WWE wrestler The Undertaker as a being from Hell who collected souls, a deliberate crossover with RAW, which was also airing on the USA Network at the time and earning the network some of the highest ratings on cable TV. It was hoped that this cameo would help boost awareness of the new show, and thus generate a larger audience.
Mr. Selfridge recounts the real life story of the flamboyant and visionary American founder of Selfridge’s, London’s lavish department store. Set in 1909 London, when women were reveling in a new sense of freedom and modernity, it follows Harry Gordon Selfridge (‘Mile a Minute Harry’), a man with a mission to make shopping as thrilling as sex. Pioneering and reckless, with an almost manic energy, Harry created a theater of retail where any topic or trend that was new, exciting, entertaining – or just eccentric – was showcased.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.
Danny is a gregarious, hedonistic romantic who gets drawn into the dangerous world of British espionage in this contemporary, emotional thriller. He falls for the anti-social but enigmatic Alex, both from opposite worlds, and they soon realise they’re perfect for each other. But when Alex suddenly disappears, Danny is utterly ill-equipped to take on his complex and codified world. Young, innocent and adrift he needs to decide whether he’s prepared to fight for the truth?
A floating body, a drug deal gone wrong, and two former detectives the perpetrators. Life imprisonment is the end of Roger Rogerson’s story. The last Blue Murder ended with his expulsion in disgrace from the NSW Police Force. In this instalment, Rogerson struggles to make a living in a world that’s rapidly changing, caught between the pressures of criminals, police and a love that might save him
When family outcast Lucky Flynn learns that his mother is dying, he decides to drive to the other side of Australia to see her, packing nothing but an upright piano for the journey. But his plans are soon turned upside down when he meets the runaway teenager Meg, who’s dealing with some family demons of her own.
The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London’s Walford borough.
Her name is Dinah. In the Bible her life is only hinted at during a brief and violent detour within the more familiar chapters about her father, Jacob, and his dozen sons in the Book of Genesis. Told through Dinah’s eloquent voice, this sweeping miniseries reveals the traditions and turmoil of ancient womanhood. Dinah’s tale begins with the story of her mothers: Leah, Rachel, Zilpah, and Bilhah, the four wives of Jacob. They love Dinah and give her gifts that are to sustain her through a hard-working youth, a calling to midwifery, and a new home in a foreign land. Dinah tells us of the world of the red tent, the place where women were sequestered during their cycles of birthing, menses, and illness; of her initiations into the religious and sexual practices of her tribe; of Jacob’s courtship with his four wives; of the mystery and wonder of caravans, farmers, shepherds, and slaves; of love and death in the city of Shechem; of her half-brother Joseph’s rise in Egypt, and of course her marriage to Shechem and it’s bloody consequences.
