Honey, I Shrunk the Kids: The TV Show is an American syndicated science fiction sitcom based on the 1989 film, Honey, I Shrunk the Kids. It expands upon the original film’s concept of a shrinking experiment gone wrong to include a myriad of experiments gone awry. It debuted in first-run syndication on September 1, 1997 and ran for three consecutive seasons, concluding with the 66th episode on May 20, 2000.

Peter Scolari took over the role as Wayne Szalinski, the wacky inventor in the original film, played by Rick Moranis. Each episode incorporates new technologies and digital effects to feature the family in various new adventures. The series was filmed in Calgary, Alberta, with its main studios located in Currie Barracks, a decommissioned Canadian Forces dormitory.

James Hayes is a small town police man who is called to the local cemetery in the middle of the night after six people have inexplicably risen from the dead in perfect health. With no memory of their identities, they are determined to discover who they are and what has happened to them. James recognises one of them and along with local doctor Elishia Glass, struggles to keep the case hidden from his colleagues, his family and the world. The six people are all linked in some way and the search begins for someone who knows the truth about how and why they have returned.

A coming of age comedy following a diverse group of teenage friends as they confront the challenges of growing up in gritty inner-city Los Angeles.

Based on real-life cases, this Korean drama focuses on a group of detectives in the Seoul Gangnam Police Homicide Division who solve crimes with their variety of skills and investigative methods.

Ji-Sook goes through a difficult period, due to her father’s private loan. She begins living as Eun-Ha. Eun-Ha is from a wealthy family and looks like Ji-Sook. When Min-Woo was only seven years old, he became the successor of a large corporation which his family ran. Due to his position, he cannot reveal his feelings. Through his family, he meets Eun-Ha. He notices she is different from other wealthy woman that he has met. Min-Woo has feelings for her.

In a place where young witches, vampires, and werewolves are nurtured to be their best selves in spite of their worst impulses, Klaus Mikaelson’s daughter, 17-year-old Hope Mikaelson, Alaric Saltzman’s twins, Lizzie and Josie Saltzman, among others, come of age into heroes and villains at The Salvatore School for the Young and Gifted.

Berlin Alexanderplatz originally broadcast in 1980, is a 14-part West German television miniseries, adapted and directed by Rainer Werner Fassbinder from the Alfred Döblin novel of the same name, and stars Günter Lamprecht, Hanna Schygulla, Barbara Sukowa, Elisabeth Trissenaar and Gottfried John. The complete series is 15½ hours long. In 1983, it was released theatrically in the United States, where a theatre would show two or three parts per night. It garnered a cult following in the US and was eventually released on VHS and broadcast on PBS and then Bravo.

Life with Louie is an American animated series. The show is based on the childhood of stand-up comedian Louie Anderson, growing up with his family in Wisconsin.

The first two episodes aired in primetime on Fox.

The series has since aired on the European version of Jetix and was popular enough to merit a few DVD releases in the region.

Princess Hours is a 2006 South Korean romantic comedy television series, starring Yoon Eun-hye, Ju Ji-hoon, Kim Jeong-hoon and Song Ji-hyo. It is based on Korean manhwa Goong by Park So-hee. It aired on Munhwa Broadcasting Corporation from January 11 to March 30, 2006 on Wednesdays and Thursdays at 21:55 for 24 episodes.

Princess Hours was one of MBC’s most popular dramas of 2006, second only to Jumong. Overall, the show was the tenth most popular drama of 2006, according to TNS Media. Due to its success, a spin-off series, Goong S, was broadcast on January 10, 2007.

A grieving police officer, along with the man who shot his partner, finds himself in an underworld filled with working-class hit men, Yakuza soldiers, cartel assassins sent from Mexico, Russian mafia captains and gangs of teen killers.

Fed up with her father, a woman moves in with her older half-sister, and her fiancé.

A satire of the hyperbolic, conspiracy-laden noise machine that is the alternative-media landscape on both the right and left.