The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift – the ‘Third Watch’.

The lives of the Roy family as they contemplate their future once their aging father begins to step back from the media and entertainment conglomerate they control.

The merging of two schools causes plenty of problems for headmistress Mandy who has to deal with explosive fall-outs and problem pupils.

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Jimmy has just been released from prison after 12 years and is struggling to come to terms with his new life. His family and friends are finding it difficult to accept him back in to their lives and he must find a way to make things right.

21 year-old slacker Sam Oliver learns that his parents sold his soul to the devil before he was born, and now Sam has to repay the debt by becoming the Devil’s bounty hunter, retrieving souls that have somehow escaped from Hell.

Two sisters discover disturbing family secrets after a string of mysterious deaths occur on a luxury ship traveling from Spain to Brazil in the 1940s.

Honey, I Shrunk the Kids: The TV Show is an American syndicated science fiction sitcom based on the 1989 film, Honey, I Shrunk the Kids. It expands upon the original film’s concept of a shrinking experiment gone wrong to include a myriad of experiments gone awry. It debuted in first-run syndication on September 1, 1997 and ran for three consecutive seasons, concluding with the 66th episode on May 20, 2000.

Peter Scolari took over the role as Wayne Szalinski, the wacky inventor in the original film, played by Rick Moranis. Each episode incorporates new technologies and digital effects to feature the family in various new adventures. The series was filmed in Calgary, Alberta, with its main studios located in Currie Barracks, a decommissioned Canadian Forces dormitory.

When family outcast Lucky Flynn learns that his mother is dying, he decides to drive to the other side of Australia to see her, packing nothing but an upright piano for the journey. But his plans are soon turned upside down when he meets the runaway teenager Meg, who’s dealing with some family demons of her own.

It’s 1974 and 15 year-old Danny is our guide through the ups and downs of life with the Baker family. With eldest daughter Sharon’s wedding looming and the docks facing closure, times are challenging. So too are Danny’s attempts to get closer to the opposite sex. A TV show showing the ups and downs of the well known Danny baker and his friends during childhood.

A 14-year-old prodigy’s mother relies on him to find a way out of poverty, but he is haunted by the death of his friend; he must choose between the streets that raised him or the higher education that may offer him a way out.

Cowboy Bebop is a 1998 Japanese anime series developed by Sunrise. It featured a production team led by director Shinichirō Watanabe, screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical designer Kimitoshi Yamane, and composer Yoko Kanno. The twenty-six episodes of the series are set in the year 2071. It follows the adventures, misadventures and tragedies of a bounty hunter crew travelling on the Bebop, their starship. Cowboy Bebop explores philosophical concepts including existentialism, existential ennui, loneliness, and the past’s influence.

The series premiered in Japan on TV Tokyo from April 3 until June 26, 1998, broadcasting only twelve episodes and a special due to its controversial adult-themed content. The entire twenty-six episodes of the series were later broadcast on WOWOW from October 24 until April 24, 1999. The anime was adapted into two manga series which were serialized in Kadokawa Shoten’s Asuka Fantasy DX. A film was later released to theaters worldwide.

Cowboy Bebop became a critical and commercial success both in Japanese and international markets (most notably in the United States), garnered several major anime and science fiction awards upon its release, and received universal praise for its style, characters, story, voice acting, animation, and soundtrack. In the years since its release, critics and reviewers, from the United States in particular, have hailed Cowboy Bebop as a masterpiece and frequently cite it as one of the greatest anime titles of all time. Credited with helping to introduce anime to a new wave of Western viewers in the early 2000s, Cowboy Bebop has also been labelled a gateway series for the medium as a whole.