Chicagoan Frank Gallagher is the proud single dad of six smart, industrious, independent kids, who without him would be… perhaps better off. When Frank’s not at the bar spending what little money they have, he’s passed out on the floor. But the kids have found ways to grow up in spite of him. They may not be like any family you know, but they make no apologies for being exactly who they are.
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Five-time Emmy Award winner Neil Patrick Harris is coming to NBC on a new primetime variety series based on the U.K.’s hugely popular “Ant and Dec’s Saturday Night Takeaway.” The show will feature comedy sketches, musical numbers, mini game shows, hidden camera pranks on celebrities and appearances by A-list stars. Harris, who has served as an Emmy and Tony Award host and was recently announced as host of the 2015 Academy Awards, will bring his multi-dimensional skills to the forefront of this new hour-long series. Harris recently co-starred in David Fincher’s “Gone Girl,” and finished a run on Broadway as the lead in “Hedwig and the Angry Inch,” for which he won a Tony Award for Best Performance by a Leading Actor in a Musical. For nine seasons he played the role of Barney Stinson on “How I Met Your Mother,” for which he received four Emmy and two Golden Globe nominations.
Maxine never made it to the big time as part of girl group Variety, but is still desperately trying to cling on to her dream as the (failing) music manager for teenage pop group Sweet Gyal. However Maxine finds herself in crisis when, fed up of her trying to live vicariously through them and her embarrassing attempts to get them a record deal, Sweet Gyal threaten to drop her.
But Maxine has come up with a plan. A come back. This time bigger, bolder and, well… older. Who cares about a hip young girl group anyway?! What the world is really missing is Mum Pop.
A show of heroic deeds and epic battles with a thematic depth that embraces politics, religion, warfare, courage, love, loyalty and our universal search for identity. Combining real historical figures and events with fictional characters, it is the story of how a people combined their strength under one of the most iconic kings of history in order to reclaim their land for themselves and build a place they call home.
With the strength of Hercules, the wisdom of Athena, the speed of Mercury and the beauty of Aphrodite, she’s Wonder Woman. Beautiful Amazon princess Wonder Woman travels to 1940s America disguised as Diana Prince, assistant to handsome but trouble-prone Major Steve Trevor. Using her golden belt, which imbues her with astonishing strength, her bullet-deflecting bracelets, a golden lasso that dispels dishonesty and an invisible supersonic plane, Wonder Woman combats evil.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Queer Eye is an American reality television series that premiered on the Bravo cable television network in July 2003. The program’s name was changed from Queer Eye for the Straight Guy after the third season to broaden the scope of its content. The series was created by executive producers David Collins and Michael Williams along with their producing partner David Metzler; it was produced by their production company, Scout Productions.
The show is premised on and plays with the stereotypes that gay men are superior in matters of fashion, style, personal grooming, interior design and culture. In each episode, the team of five gay men known collectively as the “Fab Five” perform a makeover on a person, usually a straight man, revamping his wardrobe, redecorating his home and offering advice on grooming, lifestyle and food.
Queer Eye for the Straight Guy debuted in 2003, and quickly became both a surprise hit and one of the most talked-about television programs of the year. The success of the show led to merchandising, franchising of the concept internationally, and a woman-oriented spin-off, Queer Eye for the Straight Girl. Queer Eye won an Emmy Award for Outstanding Reality Program in 2004. The show’s name was shortened to Queer Eye at the beginning of its third season to reflect the show’s change in direction from making over only straight men to including women and gay men. Queer Eye ended production in June 2006 and the final ten episodes aired in October 2007. The series ended October 30. In September 2008, the Fine Living Network briefly aired Queer Eye in syndication.
In this sequel to The L Word, we continue to follow the intermingled lives of Bette Porter, Alice Pieszecki and Shane McCutcheon, along with a new generation of diverse, self-possessed LGBTQIA+ characters experiencing love, heartbreak, sex, setbacks and success in L.A.
Eleven high school classmates awaken, restrained to a large dining room. While fearing for their lives, they question a motive to this bizarre act.
High school mathlete Lindsay Weir rebels and begins hanging out with a crowd of burnouts (the “freaks”), while her brother Sam Weir navigates a different part of the social universe with his nerdy friends (the “geeks”).
